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The most up-to-date critical guide available, Film Studies: Critical Approaches covers all the significant theories, debates, and approaches to the subject. A team of international experts provides a clear and comprehensive overview of all the major theoretical and critical approaches involved in film analysis, including detailed coverage of established critical traditions--such as semiotics, feminism, and psychoanalysis--as well as important new areas of study such as film audiences and reception, queer theory, and identity politics. Chapter summaries and further reading lists help students to assimilate the material. Ideal for courses in film criticism and textual analysis, Film Studies: Critical Approaches guides students through the maze of theory to the heart of the subject.
- Sales Rank: #687538 in Books
- Brand: Brand: Oxford University Press, USA
- Published on: 2000-02-17
- Original language: English
- Number of items: 1
- Dimensions: 7.40" h x .70" w x 9.60" l, 1.04 pounds
- Binding: Paperback
- 248 pages
- Used Book in Good Condition
Review
'...these volumes promise something more directed. ...Film Studies is a decent introduction to the subject.' Sight and Sound August 2000 (Page 32 Film criticism)
'...there is a strong sense of the general evolution away from total theory to a more pluralist position across the whole field...providing clear signposts to further reading.' THES May 2000
About the Author
Hill is Professor of Media Studies at the University of Ulster at Coleraine.
Pamela Church Gibson is Senior Lecturer in Contextual and Cultural Studies at the London College of Fashion. She is the co-editor of the "Oxford Guide to Film Studies."
Richard Dyer is Professor of Film Studies at the University of Warwick. He is the author of"Stars, Heavenly Bodies, Now You See It: Studies in Lesbian and Gay Film, Only Entertainment "and "The Matter of Images".
E. Ann Kaplan is Professor of English and the first Director of the Humanities Institute, State University of New York, Stony Brook. She is also a widely published author.
Valentina Vitali is Lecturer in Comparative Film and Media Studies and Paul Willemen is Professor of Film Studies at University of Ulster, Coleraine.
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