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A color catalogue, with descriptions, of modern artwork from the Pompidou Center.
- Sales Rank: #1563170 in Books
- Published on: 1983-02
- Original language: English
- Number of items: 1
- Binding: Paperback
- 160 pages
Language Notes
Text: English, French
Most helpful customer reviews
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A Good But Not Complete Representation of A Museum Collection
By Elliot Silvera
The Musee National d'Art Moderne in Paris is Europe's most comprehensive modern art museum. The museum was created in 1947 and has been housed in its current location at the famed cultural Georges Pompidou Center since 1977. Currently, it houses the largest twentieth century art collection in the world after New York's Museum of Modern Art. The collection's main focus is European art but the museum houses some selective pieces by post war American artists. This book published in 1983, illustrates according to the authors the museum's most important paintings and sculptures. After a brief introduction by the art historian Edward Lucie-Smith, the works are then presented with mostly full color plates in three sections: Before The Great War, Between the Wars and Post World War II. Almost all the leading art movements are discussed such as Fauvism, Expressionism, Cubism, and Surrealism. Some of the key works in the museum include Henri Matisse's "Le Luxe I" and "Decorative Figure in Ornamental Background", Georges Braque's "The Side Table", Juan Gris' "Breakfast", Marc Chagall's "Double Portrait With Wine Glass", Fernand Leger's "The Wedding, Pablo Picasso's "Harlequin", and Otto Dix's" Portrait of the Journalist Sylvia von Harden." Other represented artists include Andre Derain, Ernst Ludwig Kirchner, Sonia Delaunay, Wassily Kandinsky, Chaim Soutine, Balthus, Salvador Dali, Giorgio de Chirico, Pierre Bonnard, Alberto Giacometti, Jean Dubuffet, and Andy Warhol. Unlike most art catalogues, the commentaries of the works are placed at the end of the book. This is is a disadvantage to those who like to read and enjoy looking at the artwork at the same time. It is especially troublesome for me with the more abstract pieces. Although, the reproductions are beautifully photographed, I was hoping the catalogue would cover more women modernists and German Expressionists .The book omitted key works by painters like Marie Laurencin, Suzanne Valadon, Natalia Goncharova, Emil Nolde, and Max Beckmann. I also wished for an Amedeo Modigliani canvas rather than a rare sculptural head. If these artists were selected to be in the book, it could have been a better representation of the collection. However, it still makes a decent introduction of this major Parisian museum.
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